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At the beginning of the bingeing era, here was some Class A, seriously addictive television. And it wasn't just Cranston's show, either: Aaron Paul blossomed as Jesse Pinkman (originally intended to die early, he became an integral element), while the rest of the cast brought real life to the characters. From claustrophobic crawlspaces to wide desert vistas, the show never looked less than amazing. A fall like this in a character takes time to chronicle, and the Breaking Bad team stepped up to that, meticulously crafting each turn and shooting the show as though it were a cinematic offering. There followed murders, plane crashes, betrayals, ferocious set pieces, indelible dialogue ("I am the one who knocks!") and meth – enormous quantities of meth. "Stick with it." The first season was not without its moments, and it laid key groundwork for Bryan Cranston's Walter White to later descend from family man to soul-shucked demon, but the second season was when Vince Gilligan's astonishing, gripping, often plain harrowing show really took off. "It doesn't get really good until Season 2," people said. It's as impressive as it is fun and doesn't require an encyclopedic knowledge of the comics. Episode six will mess with your brain and other revelations are lurking. The anchor is Regina King's masked police officer Angela Abar, played with electrifying, award-scooping energy by Regina King. Today's zeitgeisty topics such as police brutality and race relations are in the spotlight and there's a lean efficiency to the storytelling that means even what appear to be wacky diversions (Jeremy Irons as Adrian Veidt, imprisoned with a batch of clone servants) tie into the main story. That serves as the history and canon for this series, but Watchmen takes detours and spins its own tale.
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A decade later and Lindelof has cracked it by not going directly to the source. No-one quite knew what to expect from Lost and Leftovers man Damon Lindelof's plan to tackle Alan Moore and Dave Gibbons' notoriously prickly graphic novel, which had been brought to the cinema faithfully but problematically back in 2009. The climax may have divided opinion, but it's hard to imagine what will fill the void now that the show's over.
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With a cast led by the likes of Peter Dinklage, Emilia Clarke, Lena Headey and Nikolaj Coster-Waldau, GOT is full to the brim of all the death, betrayal, laughter and dragons that you might wish for. Thrones at its best was almost untouchable: huge effects sequences, battles with real stakes and, powering it all, characters that you cared about, whether they were talking about morality or shoving it aside to light up an entire sept full of enemies. And yet despite the challenges of striking out on its own narrative, featuring significant changes from the printed page, much of what people enjoyed about Martin's mixture of fantasy and grimy medieval politics remains firmly intact.
And even then it was a juggling act given the sedate pace of the author's output.
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TV – and the lesser restrictions/bigger budget allowed by HBO – really was the only place Thrones would have worked outside of George R.R. Finding yourself obsessed with the show? Don't tempt the wrath of the whatever from high atop the thing, read our James Dyer's Definitive History Of The West Wing. In good news for UK viewers, the entire run is now available on All4 – see the link below. It all came to a natural close at the end of President Bartlet's second term in office, but The West Wing remained one of the most intelligent shows on television throughout its run and a comforting image of what a more benevolent White House could look like.
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The series took a temporary downturn after Sorkin's departure at the end of Season 4, but rallied soon after with a number of surprising changes to both character roles and format. Smart and funny, Aaron Sorkin's political drama showcased the writer's gift for rapid-fire dialogue and layered, politically resonant storylines, proving that television could be funny and insightful all at the same time. For a long time a walk-on part in The West Wing was the pinnacle to which all jobbing TV actors aspired.
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